Archive for "Sverige"

SVERIGE: A FOREIGN CRIME IN POST

If there is one thing I have learned so far from Sverige episode one: A Foreign Crime it is the meaning of trust between both actor and director. As many filmmakers will agree, this relationship is extremely important. As a filmmaker, you read this in books and hear this from teachers numerous times. However, this idea of trust is rather transparent and dubious until an honest act has actually occurred (which can seldom happen). Furthermore, it is not about whether an actor trusts the director’s vision and ability to direct, this is just an initial layer…to some extent this is a layer of uncertainty within everyone.

Reflecting back on my previous short films I wish I had a more personal and emotional journey with my actors. When my actors cry then I feel that I must mourn and if they are angry then I must be furious. I have indeed felt a small portion of this during the duration of Moments. However, as a director I wanted to be with them more. Despite being a small production there is still this invisible wall that separates the crew from the cast. And despite giving my actors the freedom to explore there is still this barrier. I have come to think that this barrier is merely the wall that is created when people first meet people or whether this barrier is created from people who would not have any connection outside of the production. Even when everyone is in a positive and friendly environment (don’t get me wrong, this helps immensely) there is still a distance between the filmmakers profession and the actors profession which ultimately separates the two. For obvious reason, this process is often kept like this. However, I believe this separation can be removed with a more personal approach to the relationship between the overall production. I would also say that is relationship proves extremely fruitful when executed correctly.

I have never felt so much trust from an actor as I have felt during this production from Mikael Ayele. Despite the crew being just me (and occasionally Fredrik Berg 1st AD) with a small camera, practically no script, and a young experimental director, there is this immense amount of determination and goal to create without barriers. To explain this better, I will have to go into detail regarding our relationship. First, we see each other in class nearly three times a week. Second, we often hang out after class. Third, we usually always travel together. This familiar relationship also applies to Anya whom lived a floor below me and has seen a few films with me. This is a personal relationship and with this eliminates the barrier of professions and allows this unique trust. Perhaps, some people will ponder the possibility of this friendship in other production…my answer is yes. If this relationship is committed then both actors and directions will begin to honestly and truly create mutually. Also from this, barriers will be brought down and this is where true trust comes into place. This trust allows both director and actor to see within each others art. There is no more separation between professions, but now creators creating.
The question remains how? How can this relationship form? Well, the first is to take down these barriers. Lately, I have been meeting with all the actors and introducing them into my life not only as actors but as friends. I have always had this problem to separate and keep a comfortable distance. These ideas and thoughts are still unstable in my mind, but, what I do know is that this trust will make a film much stronger.

With whatever project I decided to embark on after Sverige I want to have a closer relationship will all the actors and crew. Perhaps we will all watch some films together or go bowling and have a few drinks before production.

After the completion of Sverige: A Foreign Crime all the crew and cast felt this new bond within this small production. Here is what Mikael had to say during the production,“As you all have heard by now, Episode 1: A Foreign Crime is officially wrapped and in post-production! The amount of time Erik, myself, and all the other wonderful members of the cast & crew have put into it is simply astonishing, From pre-shoot rehearsals, to countless takes and re-shoots everyone stuck it out and gave it there all. I had so much fun every single day, especially doing the scenes with Anya (who plays Jonas’s love interest, Charlie). Erik had us improvising and exploring different directions so intensely it was incredible.

One minute I was to nervous and afraid to say anything to her, and the next I was messaging her feet, smelling her hair, and seducing her with all sorts of ridiculous pick up lines. Unbelievable! haha.
Another very new and exciting experience for me were the solo scenes. Its SUCH a vastly different experience acting by yourself than with others, one that I feel I have learned tons about during the filming of Episode 1. It required me to truly let go of all my own personal characteristics and fully embrace the thoughts, emotions and actions of Jonas. It was here that I really could see all of the character development work Erik and I did in pre-production paying of. Overall it was a very enriching process for which I am very grateful.

The evening shoot at the nightclub was easily one of the most exhilarating and fun acting experiences I have ever had. Walking to the middle of the club’s dance floor (where no one was dancing yet) and busting out in a fury of drunken dance moves (from the robot to rave hands), dousing myself in beer and then collapsing onto my back is definitely not something I (or probably anyone else at the club that night) will ever forget. Especially since Erik had me do it more than once! Also, shooting in the late hours of the night in subzero temperatures was surprisingly fun and exciting, despite the fact that we all lost feeling in our hands and feet. Oohh the things we do for this little thing we call movie-making.

The best part is, this is not even half of all the crazy and fun stuff you guys will see in this first episode. However, Erik has made it very clear that it won’t be for a while though, so until then everybody, including myself : ( will just have to sit tight and patiently await its release. In the mean time, lets all get pumped up for Episode 2 which is already in the works!”

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SVERIGE - ALMOST READY

I guess an overall goal when shooting Sverige is chaos. This will ultimately be the style and overall atmosphere in the very first episode of Sverige: A foreign Crime. This general idea has been in my mind for some time now. In a chaotic nature, I feel things are often a big mess. They are everywhere and yet somehow things always come to an end or a stopping point. When this point arrives things are brought back into homeostasis or a balance again. Is this essentially the character Jonas (played by Mikael Ayele)?

The development that Mikael and myself have been creating has been extremely fruitful. Mikael is one of the most talented and creative actors I’ve ever met. Mikael radiates a charismatic spirit and a gift only a few actors have. As our process of digging deeper into Jonas continues, we’re both finding new elements not seen and not yet explored!

Today, Mikael was just filled with ideas and thoughts of the character Jonas. He ultimately thought of Jonas as two people. During this conversation I was absolutely amazed and excited. Actors are talented creators, just as any director is, they just merely play a different part in the creation. In this interdependent filmmaking we truly all depend immensely on each other. In any other million dollar film perhaps the actors are tools and nothing more, however, in this process of interdependent filmmaking, actors are creators, essentials, and above all a very crucial part of the creative process.

Here is what Mikael Ayele has to say about Sverige, “I’m so glad I met the incredible Mr. Reese during my time studying abroad here because I know he has very promising future, one that I feel honored to be a part of. In addition to sharing classes in Uppsala, Erik and I have traveled quite extensively throughout Europe together, during which we have had time get to know one another and discover that among many other similarities, we share an important passion: FILM. Even better, he enjoys and focuses on the creation and production of the art, while I, on the other hand, enjoy the performance aspect of it. From the beginning it felt like an awesome match.

That said, there is not a doubt in my mind that our upcoming collaboration, “SVERIGE” will be a success. I am much more than excited to be working on such an innovative and creative project as this. To be perfectly honest, I have never been part of anything like this. Whether it be the intense level of dedication and involvement of the Sabi gang or playing a lead role in a short film series, the whole experience is quite different from any other projects I have been a part of… and I mean this in GREAT way! The central character, Jonas, and his emotional, intellectual and physical journey, is the central focus of this film series and I am so thankful for the opportunity I have been given to play him. I feel this will be a process of creating, experimenting, learning, and most importantly, having fun with something I enjoy so much: Acting!

It may sound cliché, but for me acting has always been something I’ve wanted to do since I was young. Powerful performances, such as those given by Tom Hanks in “Forrest Gump” or Denzel Washington in “Training Day” only further fueled my dream. It wasn’t until I grew older that I realized Acting is not something one simply “does,” it’s something that takes a lot of hard work, commitment, and most of all, a willingness to take risks. Without these things I don’t think it is possible to develop and expand in ways that are necessary to giving an authentic performance. Confidence is important, but mistakes made along the way are inevitable so instead of seeking to avoid them, I feel it is essential to embrace them as something to acknowledge and learn from. Without doing so I feel it is impossible to grow, a pivotal part of this wonderful art.”

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Sverige: Pre-production

Some of you out there are probably wondering what Sverige is all about? Most of you are probably wondering how the heck to pronounce Sverige! Well, it’s easy, it’s kinda like this, sa - veh - ree - ya. Now try it over and over again with ups and downs in cadence and then you’ll sound like a perfect Swede! Anyways, Sverige simply means Sweden. Furthermore, to make things more unambiguous, these episodic series revolve around the character Jonas (Mikael Ayele). Inspired by Krzysztof Kieslowski’s The Decalogue, Sverige embodies episodic events which take place in one area. In Sverige, a young man arrives in a small town in Sweden where he resides. There he begins to find himself changing with life, pain, and growth.“In pain, we learned the value of joy - in falling down, we learned the value of standing - and in trust, we will learn the value of a plan larger than our own.”

I’m currently working without any solid scripts. I feel as though they sometimes lock creativity and I want Sverige to a be a creative journey between myself and my actors (especially with Mikael). In most ways, I’m trying to explore as Godard would by bringing written notes to the set, thus, bringing something creative on the moment. I am also exploring the same process of filmmaking with dramatic improvisation (using simple intentions, needs, wants, and fears). “In human life, art may arise from almost any activity, and once it does so, it is launched on a long road of exploration, invention, freedom to the limits of extravagance, interference to the point of frustration, finally discipline, controlling constant change and growth.”

Sverige is currently in its pre - production stage. The first episode is actually entitled “A Foreign Crime.” In the earlier outline, this episode was not originally supposed to be the first to be shot. However, I began to fall in love with this episode as the opening because of how it will introduce the character Jonas. This episode takes off will full force! I plan on working on Sverige as my only project in the next several months. This project is filled with new turns, plots, meaning, parallels, and development. I love the idea that Jonas will develop and change while we watch him grow, cry, laugh, and love. So look out for upcoming podcast! and remember… sa - veh - ree - ya!

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